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We are pleased to introduce to you the women and men behind the play, SISTERS, scheduled for a live and livestreamed performance at the Garden House at Keeler Tavern Museum & History Center on August 30, 2020. Purchase tickets HERE.

SISTERS is a collaboration between two playwrights, Joanne Hudson and Royal Shirée, that seeks to shed light on race and privilege in America through the fictional story of two real women, one white and one Black – Anna Marie Resseguie and Phillis DuBois – who lived in and ran the Resseguie Hotel in Ridgefield, Connecticut before, during, and after the Civil War.

Having never met, other than online, the two playwrights collaborated in 2017 via Skype and wrote scenes back and forth to discuss (through the characters) what it might be like for each of them to live in those times and how some things have not much changed. The play deals with issues of ownership and the economics of being a woman, as well as a freewoman of color, under a system of slavery.

The Playwrights

Royal Shirée’s work has been produced by Lynchburg College, Randolph College, Waterworks Players Theatre, Leading Ladies NY, Downtown Urban Theater Festival
NY, Live Arts Charlottesville, and a professional reading by Virginia Playwrights andScreenwriters Initiative. Her solo show, Clippings, has been performed throughout Virginia and in New York. MOJOAA Performing Arts Company performed her piece, Victory, in
“Reclamation, ‘Female Voices of Color.” Her ten-minute plays have been produced coast-to-coast.

Shirée was nominated for the “James River Council Arts and Humanities’, Celebrate Diversity:Black Artists in Lynchburg.” Shirée is a former board member and producer/director for Riverviews Artspace where she created “Perspective Presents,” training non-professional and novice storytellers to perform true stories interpreted from themes. She currently sits on the board at Hamner Theatre and is a member of the Central Virginia Theatre Alliance. She earned a hybrid English M.A. in Scholarship and Creative Writing from Lynchburg College 2012 and a M.F.A. in Playwriting from Hollins University 2013; she is a Fellow at the Virginia Center for the Creative Arts and a Dramatists Guild member.

Joanne Hudson’s plays have been commissioned, developed, and produced by Huntington Theatre Co., Boston Playwrights Theatre, HERE Arts Center, The Collective Unconscious, Z-Space, East River Commedia, SIPA (School of International Public Affairs at Columbia University), Keeler Tavern Museum, Iceland Fulbright, Vestmannaeyjar Iceland Library, and others. Her plays have been produced throughout the U.S., most often in New York City.

As a Fulbright Scholar in creative writing, Hudson traveled to Iceland to write a play about a scientist who loses her ethics and finds her humanity, “unbidden,” now included in the literature of the Westmann Islands. She holds an MFA in Playwriting from Columbia University School of the Arts where she was the recipient of the Brander Matthews Theatre Scholarship. She has taught acting and playwriting to middle & high school students in Harlem & the Bronx, as well as Bedford Hills and Katonah, NY. She is the founder of the Ridgefield Independent Film Festival (RIFF) where she serves on the advisory board.

Director

A native of Minneapolis, MN, Kimberly Wilson first pursued theater studying and performing at the Minneapolis Children’s Theatre and in local community and professional theaters. She was a founding acting company member of Mixed Blood Theater in Minneapolis, while also performing at the renowned Penumbra Theater in St. Paul. After graduating from Breck School, Kimberly studied Fine Arts at Howard University in Washington, D.C.  After college, Kimberly returned home and continued performing in national television commercials, stage, and touring productions.

In 1992, Kimberly moved from Minneapolis to Connecticut and has made it her home ever since. In addition to her other talents and passions, she continued performing, recently in Glory Road, A Civil War Christmas, and Ragtime the Musical.

In 2012, Kimberly wrote her own musical one-woman show A Journey, and has been performing in theaters, schools, universities, churches, libraries, historical societies, and community organizations throughout the country. In 2016, She was awarded the Best Playwright Award for A Journey at the 2016 Atlanta Black Theatre Festival.

A Westport resident for the past 15 years, Kimberly is a loving mother and mother-in-law to her daughter Clorasteen Wilson and her daughter’s husband Garrett Gobillot. She is a long-time member of Norfield Congregational Church in Weston, and serves on its Deacon Board, Music Committee, and Leader of the Shepherds. Kimberly is a founding member SurviveOARS rowing team at Saugatuck Rowing Club in Westport. Kimberly is also a Realtor with Weichert, Realtors®-Madison and Post in Westport.

In 2016, Kimberly was invited to read as Frederick Douglass in the first public reading of SISTERS by Joanne Hudson & Royal Shirèe here at the Keeler Tavern Museum & History. It has been great working with this wonderful team of actors, choreographer and videographer, side-by-side with Producer and Executive Director, Hildegard Grob and her staff, board, and volunteers to now bring this historical and timely  message to the Ridgefield community.

SISTERS by Joanne Hudson & Royal Shirèe exposes the raw disconnects between sisters whose 83 year relationship (1830-1913) was forever changed and affected by both of them living under the same roof, in the same community, yet under completely different sets of rules – rules and boundaries – based on the color of their skin. This message, for many black people and people of color, still rings true to this very day!

Kimberly Wilson / www.thewilsonproductions.com

Choreographer


Sharece M. Sellem 
is a native of Hartford, Connecticut. She is a playwright, choreographer, director, and performing arts instructor based out of New Haven. She was trained by American Intercontinental University’s Media Production Program, Headlong Performance Institute of Bryn Mawr College in Pennsylvania, and Yale University’s Practical Approach to Directing Summer Program 2014.

Sharece’s resume includes performances at Bregamos Community Theater, Long Wharf Theatre, Pride Arts Center of Chicago, Charter Oak Cultural Center, Carriage House Theater, Illinois Voices Theatre, Norwich Arts Center, University of California San Diego, and more.

Sharece M. Sellem is the founder of Vintage Soul Productions LLC.  For more information please visit her website, www.VintageSoulProductions.com

Gregg Cork, actor / Frederick Douglass

Native of Washington, D.C., Gregg Cork is a photographer and spoken word producer. He has written and performed in plays for holiday and historical events and celebrations for public schools and religious organizations.

Gregg Cork has also presented numerous staged readings as Dr. Martin Luther King Jr. and Frederick Douglass.


Valerie Brookshire, actor / Phillis Dubois

A native of New Haven, Connecticut, Valerie Brookshire strengthened her acting chops under the direction of celebrity acting coach, Melvin Williams.

Valerie has performed in a number of off broadway stage productions in NYC including “Hopscotch” and “Trifles.”

Other stage credits include “Matthew’s Rising” and “Daisies on Harlem’s Doorstep”, both written by SISTERS choreographer, Sharece M. Sellem. Valerie also performed in “Her Time” directed by Steve Driffin.

TV credits include CBS’ “Blue Bloods” and various TV shows on the Investigation Discovery Network!

Catherine Luciani, actor / Anna Marie Resseguie

Native of Fairfield, Connecticut, Catherine Luciani is thrilled to bring to life Anna Marie Ressigue in the long-awaited production of SISTERS by Joanne Hudson & Royal Shirèe. She is proud to finally share this amazing story that is more relevant now than ever before.

Prior acting credits include – NY: All About Image/We Are The Elite (The Assistant/NY Fringe Festival); Mrs. President (Ms. Clark/Manhattan Rep); Village, My Home (Native Dweller/DreamUp Festival!); Regional: Julius Caesar (Calpurnia/Shakespeare on the Green); The Fall River Axe Murders (Ensemble Puppeteer/imaginarybeasts); The Independents (Mary Cassatt/CurtainCall Theater). Education: Hamilton College, London Dramatic Academy.

Follow @catherineluciani

 

Thank you for planning a visit to
Keeler Tavern Museum & History Center

Currently, you will be able to enjoy the following activities (use your smart phone to scan the above QR code for a map of the grounds):

  • Self-guided walking tour, “Gilberts in the Gardens”, and seasonal gardens inside the walled garden
  • Cannonball lodged in the corner post of the Tavern (cannonball is currently covered by plexiglass)
  • Special exhibitions in the Carriage Barn (check website; timed entries)

The Museum is temporarily closed to the public due to the coronavirus pandemic.

The Museum Shop offers porch pick-up on Wednesdays (call 203-482-1939 for details).

The Business Office located in the Visitor Center is open whenever the sign is out.

Please follow the Visitor Safety Guidelines. Thank you and enjoy your visit!

Visitor Safety Guidelines

Wear a Mask and Use Hand Sanitizer

  • Please wear a mask or face covering at all times
  • Hand sanitizer is available when entering all buildings

One-Way Traffic & Social Distancing

  • Please observe posted one-way traffic signs (indoors and outdoors)
  • Keep a 6-foot distance at all times

If you’re Sick, Please Stay Home!

  • If you don’t feel well, PLEASE STAY HOME!
  • If you become sick with COVID-19 after visiting KTM&HC, please notify the Museum at info@keelertavernmuseum.org.

Business Office Appointments (located in the red brick Visitor Center)

  • Please set up appointments with the staff by email or phone. For facility rentals, please contact Mary Ann Connors at mconnors@keelertavernmuseum.org or call 203-438-5485, x12.
  • Sign the Visitor Log when entering the Visitor Center and notify your party that you’ve arrived.

General Liability Notice

By entering KTM&HC’s premises, including the Cass Gilbert Garden House and Carriage Barn, visitors agree to comply with all federal, state, and local requirements concerning measures required to minimize the spread of the COVID-19 virus. Visitors understand that Keeler Tavern Preservation Society, Inc. does not accept any responsibility for non-compliance.

photo by Deborah K. O’Brien Photography

A Ridgefield war memorial lists 242 Revolutionary War veterans. One name—familiar from this quiz—appears more often than any other:

  1. Wooster
  2. Keeler
  3. Ludington
  4. Jones

This monument, at the intersection of Main Street and Route 102, honors Ridgefield veterans through World War I. The Keeler name appears 13 times in the list of soldiers of the War for Independence.

General Tryon (Tony Molligo) and General Wooster (Don Daughters) during a Battle of Ridgefield school program at KTM&HC. The two generals discuss their respective perspectives on the battle.
 

The British?
With their tactical success:

  • Patriot supplies destroyed;
  • British power projected;
  • Safe return to New York City with minimal losses

Or The Patriots?
With the strategic outcome:

  • British never again invaded inland CT;
  • Milita performance boosted patriot morale;
  • British conduct alienated "undecideds"

You decide!

There are strong arguments on both sides of this debate, and it may never be entirely settled. There is no doubt, however, that the battle is the most memorable in Ridgefield’s long narrative of historic events.

Loyalist militia and British soldier reenactors carrying torches to "burn down" Patriot homes during the 2017 Battle of Ridgefield.
Photo by Scott Mullins (Hearst CT Media).

When his Tory uncle next door prevented the British from torching Keeler Tavern, an emotional Timothy declared:

  1. "You shall have the liberty of my taproom for life."
  2. "I am much obliged to you that blood can trump politics."
  3. "I’ll be damned if I’ll thank a Tory for anything."
  4. "It was the wisest decision I have known a Tory to make."

According to Jones (p 120), Timothy’s uncle later changed allegiance to the patriot cause and served alongside his nephew Timothy in a Connecticut militia company.

One reason that Ridgefield's 1977 bicentennial battle commemoration was memorable:

  1. Patriot re-enactors insisted on "winning"
  2. British diplomats refused to participate
  3. A medal honored hero Benedict Arnold
  4. Biker gangs staged their own battles outside a Grove Street bar.

The weekend commemoration of the battle reportedly drew 1,000 re-enactors and an estimated 40,000 spectators. The town struck a medal honoring hero generals Wooster—and Arnold—that generated raised eyebrows; undaunted, Ridgefield re-issued it in 2002. This controversy of issuing a medal honoring Arnold was even featured in a New York Times article, which called it a "Bicentennial brouhaha."

The stone memorial, in the stone wall by the entrance to Casagmo.

Recently, long-buried skeletons were found, possibly from the battle. Fill in the final word of the poignant inscription on this nearby Main Street memorial to fallen soldiers on both sides:

Eight Patriots
who were laid in these grounds,
companioned by
sixteen British soldiers.
Living, their enemies; dying, their ...

...guests

The memorial is part of a stone wall along Main Street, not far from the location of the patriot barricade. The four skeletons are now being studied by archaeologists and other experts, who are investigating their provenance. Preliminary research seems to confirm the hypothesis that these skeletons may belong to Revolutionary soldiers. Research is ongoing.

An artist's view of T. Keeler's Inn at the end of the 18th century.

Years afterward, author Samuel Goodrich wrote that Timothy Keeler installed a captrued British cannon as a:

  1. Vase for wildflowers
  2. Taproom bench
  3. Fireplace andiron
  4. Hitching post

Author Samuel Goodrich reports in his Recollections of a Lifetime that the cannon was dug out, cleaned, and fired 16 times (the number of states at the time) to celebrate Thomas Jefferson’s inauguration in 1801. It’s uncertain what became of it in the years afterward.